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"Amélie" is a fanciful comedy about a young woman who discretely orchestrates the lives of the people around her, creating a world exclusively of her own making. Shot in over 80 Parisian locations, acclaimed director Jean-Pierre Jeunet ("Delicatessen"; "The City of Lost Children") invokes his incomparable visionary style to capture the exquisite charm and mystery of modern-day Paris through the eyes of a beautiful ingénue.

Bluey at the Cinema: Playdates with Friends Collection is an hour of fun that features eight episodes from across the TV show’s three series, all celebrating play and imagination with friends and family! The compilation showcases some of Bluey's favourite games like Shadowlands and Octopus, and highlights special friendship moments in episodes such as Circus and Slide - all packed with lots of joy and laughter.

Elvis sings and tells his story like never before in a new cinematic experience from visionary filmmaker Baz Luhrmann.

What if you could talk to animals and understand what they're saying? In Disney and Pixar's all-new feature film "Hoppers," scientists have discovered how to "hop" human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals! The adventure introduces Mabel, an animal lover who seizes an opportunity to use the technology, uncovering mysteries within the animal world that are beyond anything she could have imagined.

Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow (Glen Powell) will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.

Comedian James Acaster unleashes his infectious energy as he explores his love/hate relationship with stand-up - while welcoming a heckle or two. Filmed in Truro, Dublin and Northampton, we see how this experiment panned out in front of three very different audiences.

In Polish with English Subtitles.

How do you make big money fast in Poland at the turn of the 2000s?

Many wanted to know but Dawid simply had to find out. When his father’s business collapsed, the family was left with nothing overnight, and Dawid was forced to take responsibility. That’s when someone floated an idea: legal highs. Fully legal substitutes for drugs. Supposedly safe fun for thousands of young people.

The idea took off — and the money started pouring in. The business grew so fast Dawid struggled to keep up with demand. His in-house chemist kept inventing increasingly sophisticated formulas. It felt like the world was at his feet: beautiful women, fast cars, the respect of the criminal underworld and deals made at the highest levels of power.

But it soon became clear that legal highs weren’t quite as legal — or as safe — as promised. Worse still, a police officer who couldn’t be bought entered the game, while competitors were just waiting for the perfect moment to take Dawid down.

The Audience by Peter Morgan, directed by Stephen Daldry.

Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the  Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.

For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.

Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.

Shakespeare’s OTHELLO rages to life like never before in a ‘compelling’ (★★★★ Telegraph) new production starring David Harewood OBE (Homeland, Best of Enemies), Toby Jones OBE (Mr Bates vs the Post Office, Detectorists), Caitlin FitzGerald (Succession, Masters of Sex), Vinette Robinson (Boiling Point) and Luke Treadaway (A Street Cat Named Bob).

Directed by Tony Award-winner Tom Morris OBE (War Horse, Dr Semmelweis, The Grinning Man) with music by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. Filmed live at the Theatre Royal Haymarket in London especially for the big screen, this is ‘an electrifying star-studded Othello.’ (★★★★ Mail on Sunday)

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.

Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

When a new Ghostface killer emerges in the quiet town where Sidney Prescott has built a new life, her darkest fears are realized as her daughter becomes the next target. Determined to protect her family, Sidney must face the horrors of her past to put an end to the bloodshed once and for all.

Dead Duck Film Club returns to the Savoy with The Raid, a blistering, no-holds-barred action classic.

When an elite Indonesian SWAT team becomes trapped inside a tower block run by a ruthless crime lord, a routine operation spirals into a relentless fight for survival. Directed by Gareth Evans, The Raid is famed for its ferocious pace, brutal close-quarters combat, and jaw-dropping pencak silat choreography.

Lean, visceral, and uncompromising, this is modern action cinema at its most intense and an absolute must-see on the big screen.